LAGE EGAL CURATORIAL PROJECTS by PIERRE GRANOUX
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Bram Braam
Pierre Granoux
Vanessa Henn
Valérie Leray
Wiebke Loeper
Jens Lüstraeten
Arwed Messmer
Manfred Pernice
Sophia Pompéry
Peter Ruehle
Torsten Ruehle
Michael Schäfer
Sonya Schönberger
Nina E. Schönefeld
Christof Zwiener

VILLA HEIKE AND OTHER STORIES — Curated by Pierre Granoux & Michael Schäfer

LAGE EGAL [VILLA–HEIKE] Freienwalder Strasse 17, 13055 Berlin-Hohenschönhausen
16 Feb – 16 Mar 2019

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Bram Braam, Fragmented history #2, 2018

Bram Braam

Fragmented history #2

2018

Mixed media, wood, steel

102 x 106 x 3.50 cm

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Bram Braam, From 250000 cm3 to 23768 cm3, 2014

Bram Braam

From 250000 cm3 to 23768 cm3

2014

Glas

40 x 50 x 50 cm

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Pierre Granoux, OFF THE MAP, 2018 – 2022

Pierre Granoux

OFF THE MAP

2018 – 2022

Stapelbox mit Fotoarchiv: 24 + 3 Pigmentdrucke auf Perlpapier, gerahmt (je 27 x 35 cm); Fotohandschuhe, Holzhocker

Unique

60 x 80 x 40 cm

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Vanessa Henn, Paravent, 2018

Vanessa Henn

Paravent

2018

Stahl (Material stammt aus der Villa Heike)

184.50 x 65 x 23 cm

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Vanessa Henn, Cross, 2019

Vanessa Henn

Cross

2019

Stahl (Material stammt aus der Villa Heike)

156 x 80 x 8.50 cm

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Valérie Leray, In the Making (series of 15), 2009 – 2012

Valérie Leray

In the Making (series of 15)

2009 – 2012

Analog photography, Pigment print collection on platinium rag paper, framed

Edition 5

40 x 48 cm

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Wiebke Loeper, #23 from the series "Welcome home", Los Angeles, 2006

Wiebke Loeper

#23 from the series "Welcome home", Los Angeles

2006

Pigment print, MDF

Edition 5

48 x 56 cm

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Jens Lüstraeten, Peek a Boo, 2018

Jens Lüstraeten

Peek a Boo

2018

HD Video, 4 Kanal Audio, Blu Ray, Projektion

Edition 10

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Arwed Messmer, Benno Ohnesorg, Krumme Straße, 2. Juni 1967. Polizeihistorische Sammlung Berlin AM_PHS_SCHUPO_Film_1813_Neg_24a, 2015

Arwed Messmer

Benno Ohnesorg, Krumme Straße, 2. Juni 1967. Polizeihistorische Sammlung Berlin AM_PHS_SCHUPO_Film_1813_Neg_24a

2015

Inkjet-Print

200 x 300 cm

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Arwed Messmer, BERLIN, 1966-70, 2018

Arwed Messmer

BERLIN, 1966-70

2018

Konzept Arwed Messmer, Gestaltung von Carsten Eisfeld Texte von Florian Ebner, Uta Grundman, Annett Gröschner and Arwed Messmer Deutsch, Englisch 792 Seiten, 334 Abbildungen. Hartmann Projects, Stuttgart 2018

19.40 x 21.50 cm

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Manfred Pernice, Weisser Riese, 2014 – 2019

Manfred Pernice

Weisser Riese

2014 – 2019

div. Holz, Farbe, Metall, Kunststoff

100 cm, diameter: 100 cm

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Sophia Pompéry, Dry Run, 2015

Sophia Pompéry

Dry Run

2015

Holz, Eimer, Seil, Wasser

450 cm x 60 cm, Höhe variabel

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Peter Ruehle, The Glory Dozen" (12 Bilder), 2014

Peter Ruehle

The Glory Dozen" (12 Bilder)

2014

Öl auf Leinwand

24 x 30 cm each

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Torsten Ruehle, 399 (der knüller), 2012

Torsten Ruehle

399 (der knüller)

2012

Oil pigment, pen on canvas

30 x 40 cm

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Torsten Ruehle, Besuch, 2018

Torsten Ruehle

Besuch

2018

Pigmentdruck in Lichtkasten

62 x 62 x 7 cm

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Michael Schäfer, Husarenhof (Bautzen), 21.2 2016, 2017

Michael Schäfer

Husarenhof (Bautzen), 21.2 2016

2017

Nacht Lightbox

Edition 3

150 x 100 cm

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Michael Schäfer, Charlottesville, 12.8 2017, 2018

Michael Schäfer

Charlottesville, 12.8 2017

2018

Nacht Lightbox

Edition 3

150 x 100 cm

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Sonya Schönberger, Dismissed, 2018

Sonya Schönberger

Dismissed

2018

Skulptur aus mehreren hundert Schlüsseln einer ehemaligen NVA- und Volkspolizei-Kaserne in Brandenburg

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Nina E. Schönefeld, ENEMY WITHIN, 2018

Nina E. Schönefeld

ENEMY WITHIN

2018

Mixed media

330 x 210 cm

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Christof Zwiener, It is better to live in a state of impermanence than in one of finality, 1978 – 2018

Christof Zwiener

It is better to live in a state of impermanence than in one of finality

1978 – 2018

Ehemalige DDR-Fahnenmast vom Centurm Warenhaus am Ostbahnhof verzinktes Stahlrohr, 4,8m und 3,8m lang, verzinktes Wandregal

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