LAGE EGAL CURATORIAL PROJECTS is an independent gallery and curatorial platform founded by artist Pierre Granoux in 2019 in Berlin, emerging from years of self-organised practice and nomadic experimentation. 

Its name literally means location doesn’t matter, reflecting a commitment to operate beyond fixed geographic confines by activating nomadic spaces — currently between Berlin and Brussels — to foster critical encounters between artists and curators, ideas and concepts, and audiences.

The program focuses on experimenting with exhibition formats, with a current emphasis on solo presentations developed as research-driven projects. Each exhibition is conceived as a specific device, testing spatial configurations, temporalities, and modes of display. By activating selected spaces with precision and openness, the gallery challenges conventional art-world norms while maintaining a democratic approach to its practice.

Current Exhibitions

SOFT MATTER — LAGE EGAL CURATORIAL PROJECTS #243 - Franck Miltgen

Upcoming Exhibitions

WITH/DRAW — LAGE EGAL CURATORIAL PROJECTS #244 - João Freitas
LAGE EGAL [BOOTH A15 + S05] — ART DÜSSELDORF 2026 - Clara Bahlsen, Franck Miltgen, Robin Wen, Wonkun Jun

News

Des couleurs et des formes pour le lancement de saison à Rivoli
Le prix du désir \ De prijs van het verlangen
Strausberger Platz — Ein ästhetisches Epizentrum
  • Strausberger Platz — Ein ästhetisches Epizentrum
  • 4 Nov 2023

  • Interview by Ronald Klein, Morgenpost

    In unmittelbarer Nachbarschaft zu Capitain Petzel und Plan B bereichern neue Galerien den Strausberger Platz. (...) Seit April dieses Jahres beheimatet der Henselmann-Tower im Erdgeschoss die Galerie LAGE EGAL. Seit 2012 stellt der in Berlin beheimatete Kurator Pierre Granoux stadtweit aus. Dies erklärt den ungewöhnlichen Namen.
LAGE EGAL — Zu Besuch in der wandernden Galerie
  • LAGE EGAL — Zu Besuch in der wandernden Galerie
  • 29 Sep 2023
  • Interview by Felix Müller, Morgenpost
     
    Der Weg dorthin lohnt, zumal an diesem Wochenende. Nicht nur der rauen Räume wegen, die als letzte Relikte eines in Kreuzberg eigentlich längst weggentrifizierten Wendezeit-Berlins nostalgische Gefühle wachrufen. Sondern auch aufgrund der beiden Ausstellungen, die in diesen Tagen auf die Zielgerade einbiegen. (...)

GALLERY FAIR PRACTICE CODE

1. LAGE EGAL records in writing the relationship between the gallery and the artist, including agreements regarding the duration of the agreement, prices and any applicable discounts. Other matters that may be recorded in this document include: monitoring and evaluation of the agreements, both parties’ targets (e.g. regarding international visibility), the relationship with a second gallery, agreements regarding the settlement of any discounts, regarding commissions from third parties, or the settlement of other expenses such as for transport, photography, insurance or the construction of an exhibition. Model contracts are available on the Dutch Gallery Association (NGA) website.
 
2. The artist remains the owner of their work until the full amount is paid to the gallery, with the exception of secondary trading. This also applies in the case of gallery bankruptcy or attachment.
 
3. The gallery shall transfer the full artist’s share of the sales price agreed with the customer within 60 days following the sale of the artist’s work, and provide the artist with the buyer’s name and contact details, and a copy of the invoice.
 
4. Unsold artworks in the charge of the gallery must always be returned to the artist within a month, if requested by the artist.
 
5. The relationship between galleries may involve competition and rivalry, but in the case of different galleries representing the same artist, the galleries should in all respects remain loyal to the interests of the artist in question. If a gallery exclusively represents an artist, thereby acting as their ‘mother gallery’, and another gallery would like to organise an exhibition with this artist, the involved parties should make written agreements regarding the conditions under which the exhibition can be held (see appendix for a Dutch Gallery Association (NGA) model contract).
 
6. The gallery is expected to be professional and competent, and to maintain this professionalism and competence
 
7. The gallery vouches for the authenticity of the work that they are selling. In the case that a work is adjudged to be fake by a recognised independent party, the customer may return the work to the gallery owner and have the amount paid for the work refunded.
 
8. A gallery states the following on their website: their objectives, programme, working method and the artists that they represent.
 
9. A gallery is expected to act in accordance with the Fair Practice Code (fairpracticecode.nl), which includes an assurance against inappropriate behaviour at the gallery and elsewhere.
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