The last exhibition of the year will unfold around UNKNOWN WORLDS, a work by Alekos Hofstetter that functions as a point of passage. The title resonates as a threshold: between years, from 2025 to 2026, and between two exhibition spaces. It marks neither an ending nor a beginning, but a moment of suspension—one in which orientation is temporarily uncertain and possibilities remain open.
Conceived as a collective constellation, the exhibition brings together artists with whom we have built an ongoing dialogue, alongside newcomers presented in a one-shot context. This deliberate mix reflects a way of working that values continuity without repetition, and openness without dilution. UNKNOWN WORLDS frames the exhibition as a space of transition, where familiar practices shift slightly out of focus and new voices enter without the obligation of permanence.
Rather than offering a unified narrative, the exhibition embraces plurality and friction. It proposes the unknown not as a void, but as a working condition—one that acknowledges movement, displacement, and the necessity of crossing into territories that are not yet mapped.
