“In my artistic work, I experiment with the cause and effect of various light phenomena on photosensitive paper, thus approaching the medium of light. It’s a performative movement, in the darkroom of the studio, where the drawing is made with various light sources and captured on the two-dimensional medium of paper (a large-format analog photo paper).”
Marta Djourina’s artistic practice focuses on exploring various light phenomena. Light becomes an object, a tool and an object of investigation. While some works have a biographical component and use self-made pinhole cameras (later sent by mail, attached to a pigeon or made from a suitcase during transit), other works are dedicated to the light of living organisms such as bioluminescent fungi and algae.
The artist also uses historical photographic techniques to capture the concept of touch in an image, using the example of Kirlian photography. She creates large-format unique pieces directly on site in the photo laboratory, where she uses different light sources to transfer several performative movements directly onto the photographic paper, i.e. as a camera-less process. Some of them are self-made mobile light sources that the artist carries in her hand or attached to her body. The photo paper itself translates the light into a more complimentary color, creating a kind of blind drawing or blind painting in dynamic compositions.