Marta Djourina

Marta Djourina

Born 1991 in Sofia, Bulgaria | Photo © Alena Schmick
Marta Djourina was born in Sofia in 1991. After graduating from art history and theory she received in 2018 her Meisterschüler Degree at the University of the Arts Berlin (UdK). 
Her work involves analogue direct exposure processes and light paintings or drawings. What can be described as cameraless photography is based on the principal aspects defining analogue photography, combining them with concepts such as time, space and chance. In a similar matter like in the darkroom, the ideas of ‘blind’ drawings are to be found also in her printmaking projects, in which she explores her own traces. 

WORKS

Description

“In my artistic work, I experiment with the cause and effect of various light phenomena on photosensitive paper, thus approaching the medium of light. It’s a performative movement, in the darkroom of the studio, where the drawing is made with various light sources and captured on the two-dimensional medium of paper (a large-format analog photo paper).”

Marta Djourina’s artistic practice focuses on exploring various light phenomena. Light becomes an object, a tool and an object of investigation. While some works have a biographical component and use self-made pinhole cameras (later sent by mail, attached to a pigeon or made from a suitcase during transit), other works are dedicated to the light of living organisms such as bioluminescent fungi and algae.

The artist also uses historical photographic techniques to capture the concept of touch in an image, using the example of Kirlian photography. She creates large-format unique pieces directly on site in the photo laboratory, where she uses different light sources to transfer several performative movements directly onto the photographic paper, i.e. as a camera-less process. Some of them are self-made mobile light sources that the artist carries in her hand or attached to her body. The photo paper itself translates the light into a more complimentary color, creating a kind of blind drawing or blind painting in dynamic compositions.

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ENDE NEU — Curated by Pierre Granoux - Adib Fricke, Alekos Hofstetter, Alexandra Hopf, Alexine Chanel, Anders Bonnesen, Andreas Burger, Angelica Ruffier-Holmqvist, Anke Völk, Anne Gathmann, Antoanetta Marinov, Astrid Köppe, Barbara Breitenfellner, Barbara Wille, Beck / Huber, Birte Endrejat, Bram Braam, Bruno Nagel, Caro Suerkemper, Caroline Bittermann, Catherine Lorent, Ce Jian, Christian Hans Albert Hoosen, Christine Weber, Cia Rinne, Claudio Wichert, Daniela Gugg, Diana Artus, Diana Sirianni, Emanuel Bernstone, Erik Goengrich, Florian Balze, Francisco Da Mata, Frederik Foert, Gabriel Braun, Gert-Jan Akerboom, Hagen Schümann, Heidi Sill, Henrik Strömberg, Inken Reinert, Ioana Alexe, Irène Hug, Isabel Kerkermeier, Ivan Liovik Ebel, Jean-François Karst, Jennifer Oellerich, Jofroi Amaral, Judith Karcheter, Julie Chovin, Julien Grenier, Jürgen Grewe, Katharina Kritzler, Kathrin Köster, Klaus Killisch, Knut Eckstein, Lukas Troberg, Luzia Simons, Manuel Salvat, Marc Klee, Marie Von Heyl, Marie-Luise Rief, Marieke Van Diemen, Marta Djourina, Marte Kiessling, Martin Fengel, Maurice Doherty, Menno Aden, Michael Bause, Michael Laurent, Michaela Zimmer, Moritz Frei, Nadine Fecht, Nicolas Manenti, Nuria Fuster, Oliver  van den Berg, Ornella Fieres, Paula G. Vidal, Pedro Boese, Peter Freitag, Pierre Granoux, Pierre-Etienne Morelle, Pietro Sanguineti, Regine Kolle, Reinhard Doubrawa, Ricarda Mieth, Roland Fuhrmann, Roland Moreau, Sabine Bokelberg, Sador Weinsčlucker, Sara-Lena Maierhofer, Satoru Tamura, Sibylle Jazra, Sinta Werner, Sophia Pompéry, Stefan Römer, Stella Geppert, Stephan Brenn, Sven Stuckenschmidt, Sybille Neumeyer, Thomas Prochnow, Ties Ten Bosch, Ursula Döbereiner, Ute Lindner, Valérie Leray, Vanessa Henn, Veit Stratmann, Witte Wartena, Wolfgang Capellari

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